Kurumi cocked her head to the side. NOW she was confused. From the man's response to some people, it seemed as though Magical Music Theory was something that could only be applied to music by means of a witch or wizard and not something that happened on its own...like...without the use of incantations and spells. The prefect frowned a bit. If that was the case...she was a little disappointed. His question sort of confused her as well. Enhance their musical experience? Did he mean while listening to it? Playing it? Or...how to increase the power of music? All of the above?

Blinking a few times, Kurumi timidly raised her hand to sort of answer...but more to hide a question within her response for clarification. "Besides the more obvious use of spells and charms on musical instruments...does using magical materials count? For example...while ivory isn't used to make piano keys anymore, making the ivories out of unicorn horn...or highly modified Erumpent horn. Ashwinder or basilisk skin instead of usual snake skin on the sanshin. Guitar picks our of dragon scales, and catgut from mooncalf or wildebeest or something else?"

Sure, animating an object to play on its own was exciting and casting a spell such as Creo Musica somewhat empowering...Kurumi was really more interested in studying magical properties. Picking things apart to see what made them tick. Merlin, with this sort of thinking one would have assumed that she enjoyed Potions - too bad it was the total opposite.