Although there hadn't been any major remodeling of the office space, it did appear vastly different from when it was occupied by the last Editor in Chief. Slick and modern, there's nothing extraordinary about the office. It simply just looks really put together with it's sharp clean walls and equally sharp furniture.

Unfortunately, Hoshino was forced to compromise with the mahogany desk. It just wasn't going anywhere and he wondered how many jinxes had Getti Forde put in it exactly. One wall was decorated with small rectangular frames. The previous Editor's inside them moved, watching him sourly out of the corner of their painted eyes. He had found the portraits in the Photographer's work area (i.e. storage unit) and thought it proper it was only right to put them where they once used to be.

Usually, you can find the Editor in Chief, sitting in front of the desk, grumbling over soon-to-be-expires contracts and managing the paper's budget.