‘Well,’ she says. ‘Tina had been an Auror. She’s fallen out of that world but I still wanted her to have the feeling of that world. So I gave her an overcoat that’s a little bit loose like an Auror’s coat, but made of more ordinary fabric, as though she’d downgraded from that spectacular leather silhouette of the Aurors. Right from the start, I saw her in soft, cooler colours and warm greys, those sort of tonalities.’

‘Queenie uses her magic in a different way; she’s got a different energy to Tina altogether and I wanted to dress her in a different way, keeping her light and her colours light: air-like and rosy and warm and approachable,’ says Colleen.

As you may be able to guess by now, Tina and Queenie get caught up in the chaos that ensues when Newt Scamander’s case is opened. Katherine and Alison do a lot of chasing, running, sneaking, hiding and striding in their clothes and Colleen had to plan for that.

‘I have six of Tina’s costume and six of Queenie’s,’ says Colleen, who made duplicates of all the principle cast’s costumes to weather the adventures in the movie. ‘It would have been useless to find one real outfit for each of them from the era, they need so many of them.’