As somebody said in Leaky:
"Williams, particularly after Doyle and Hooper’s exceptional contributions, is simply not subtle, nuanced, original, or sophisticated enough to compose a score suitable for Deathly Hallows.
It will end up sounding like all Hollywood-Speilberg films made for teenagers. HP deserves better and I hope Heyman, Barron, and Yates are brave enough to acknowledge it before it’s too late. Either that or that they demand a hell of a lot more of Williams than Spielberg ever did.
What a ghastly way to end such a wonderful franchise, with a cheesy, hackneyed, ear-drum bashing, Hollywoodesque score. Sad."
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